Back Lighting – Part 5

Since this Back Lighting series started from Jewelry, I figure it only fitting to finish this series with some details of jewelry photography.

These are a few things I have picked up in experience, some of which would have been ever so valuable when I started out! Listed below are a few items and some information about them as to why they are helpful.

Light Stands: They say you never know what you are missing until you do not have it. Well, that is one way of looking at all situations. Me? I prefer to think of what I have as tools which will afford me new learning opportunities. Without throwing a pity-party, I understand that my learning opportunities could expand with more and new equipment, but one of things I do to keep myself financially responsible is checking myself to see that I am “unconsciously competent” with my current line of equipment. Light Stands are very helpful when you want to move lighting versus your subject.

Seamless Background: When shooting in-studio, Seamless Backgrounds are one of the accessories that give the viewer the visual relief that white space without giving the hints of spacial limitation. For some reason wall seams or the corner of the wall and floor took away my pleasure of imagining this one little ring on a table top in the expanses of a large room.

Macro Lens: Macro Lenses are designed with a closer focal range giving the photographer the ability to get closer-in without losing the sharp focus they live on. I cannot say that I have met anyone who did not like to look as closely as they could at the gems in a piece of jewelry they were looking to purchase. Since retail stores know that purchases will rise if the customer can see the product, the store managers will pay photographers very well for being able to capture the sharpest most accurate picture of the product they sell.

Jewelry Wax: For those pieces of jewelry that simply will not stand on their own without some help. I have read many photographers who insist on not paying more than absolutely necessary for wax used in jewelry shots, so they substitute dental wax. Personally, I am careful what I substitute for a product designed for a purpose. Waxes take many forms. Jewelry Wax is designed to be “sticky” without leaving residue or wax on the jewelry. I have not yet been able to test any other wax on my jewelry sets to determine if residue truly will be a problem. I am sure I will post about it at some point, after the testing is complete. *Grin*

God bless!

Photographing Jewelry

I do not want to sound as if I were driven by spontaneity or a business owner who makes impulsive decisions, because that would not be accurate; however I will say that when it comes to writing blog posts my plans do change. When planning the possible topics for the blog, I sometimes form a temporary schedule for publishing which take on new priorities after some time away giving me time to reconsider their publishing order. So let me tell you why I think this post is better published today versus Friday: This post will inform you of many different ways for setting up the lighting for your photographic subject.

The photo you see below is one that I took as I found some good techniques on my own with the equipment I had available.

I will list here some of the best techniques to be used in the jewelry section of photography.

The best lighting set-ups:

  • Back Lighting
  • Diffused and Direct Lighting
  • Direct and Reflected Lighting

Shooting techniques:

  • High Aperture / Long Exposure (Larger Focal Plane)
  • Moderate Aperture / Short Exposure (Moderate Focal Plane)
  • Low Aperture / Fast Shutter Speed (Small Focal Plane)

Setting additions:

  • Wax to hold pieces in place.
  • Glass or Lexan (surface for reflection)
  • Modeling Services

Of course there is always the option of hiring me and my services. *Grin* Okay, enough of that. Get ready for the specifics on the lighting set-ups in the subsequent posts!