Reflections – Part 2

As you attempt to stay out of the reflections in your photographs, it is important to wear colors that will blend with your surroundings as I mentioned about shooting the Christmas ornaments in the window of Neiman Marcus.

For instance, I wore a red shirt one day and in image review I saw a brilliant red reflection in the product! Your face may be well hidden but be careful to also hide bright colors.

While this is a negative for color in reflection, this brings up something I often say with the phrase “Think outside the box”. If a bright-colored shirt appears in reflections, why not learn the effects of using black, white and gray cards?

Gold objects will brighten when reflecting light colors like white and pick-up richer tones when reflecting black. Your purpose will dictate which color fill card should be used, so outlining colors to products will put you back into a box more than helping you out of one.

As the reflective object is exchanged with another of a different color tone, the fill card color may also change. Keep your purpose in mind and use the proper color of fill card.

Engraved surfaces have better contrast reflecting one color over another, and while I have my opinion of which color it is, another viewer may see the engraving better with another. If I see the engraving plainly in both reflected colors, I will defer to the other viewer, however this gives reason to pursue other options for better visibility for all viewers.

For creative shooting, perhaps you want bright and unusual colors! Just because colors outside the grayscale are not used in product photography does not mean it is “taboo” or even unacceptable in your form of art, thus your purpose being my qualifying phrase.

Enjoy!

Reflections

Have you seen something that makes your mind race with questions and anticipation to record what you see in photograph? I have and spent the last 4 years attempting to fashion in my photographs the wow factor that I see with my eyes. It is a challenge!

If you are like me, it is the challenge that gets me excited. I am motivated by my perception of reward and that reward is learning how to compose the shot. I am not satisfied with just getting the shot. If I cannot reproduce the shot in some form or another, I did not learn the composition and structure of the shot well enough.

I recently photographed reflective objects. It is by experience in photographing these objects that I learn how to better expect the reflection placement.

For an illustration, the reflective ornaments in the linked picture sat in a bowl in the display window of Neiman Marcus. After taking the image I cropped the photo and displayed it; a friend asked where I was in the reflection because there was “no way I could not be in the photo!”

Truly, I did not edit myself out of the photo. I am sure that crossed many minds who looked at the photo, but in this case I found the one place where I could blend into my background with my black jacket and black camera body. Being in the city at night shooting a reflective object can have its advantages.

It is interesting however, literally every thing else is reflected in the ornaments!

I also want to include this statement; I knew reflection of myself was “inevitable” so I did my best to compose the shot as best I could and deal with my reflection. I was blessed to have taken this placement for shooting and learned from my own “accidental genius”. *Grin*