Reflections

Have you seen something that makes your mind race with questions and anticipation to record what you see in photograph? I have and spent the last 4 years attempting to fashion in my photographs the wow factor that I see with my eyes. It is a challenge!

If you are like me, it is the challenge that gets me excited. I am motivated by my perception of reward and that reward is learning how to compose the shot. I am not satisfied with just getting the shot. If I cannot reproduce the shot in some form or another, I did not learn the composition and structure of the shot well enough.

I recently photographed reflective objects. It is by experience in photographing these objects that I learn how to better expect the reflection placement.

For an illustration, the reflective ornaments in the linked picture sat in a bowl in the display window of Neiman Marcus. After taking the image I cropped the photo and displayed it; a friend asked where I was in the reflection because there was “no way I could not be in the photo!”

Truly, I did not edit myself out of the photo. I am sure that crossed many minds who looked at the photo, but in this case I found the one place where I could blend into my background with my black jacket and black camera body. Being in the city at night shooting a reflective object can have its advantages.

It is interesting however, literally every thing else is reflected in the ornaments!

I also want to include this statement; I knew reflection of myself was “inevitable” so I did my best to compose the shot as best I could and deal with my reflection. I was blessed to have taken this placement for shooting and learned from my own “accidental genius”. *Grin*

Lists of shots

This post will not be as in-depth as others but if you take it seriously, can leave you with a very large load of homework. *Grin*

It has been my experience that I have all of these great shots in my head that I can either set-up or capture in theory. (In other words all of the elements I see in my imagination have been seen together at one time, at the same time.) However, when I find myself in a place that I have imagined a shot, I can not remember the elements I previously envisioned! Perhaps you also have experienced that disappointment and  horror of not being able to provide the photos I had in mind for my customer, now feeling like I will have to sell the shots I currently have twice as hard to make up for my lost enthusiasm. (This photo was taken in October of 2011. This is one of the times when I saw the shot, remembering it was something I had imagined without requiring me to add extra elements before immortalizing the scene.)

Here is how I am changing that costly error.

I have begun making a list of shots to compose by category, location, priority or time of day. (A time-saving tip is to input all of this information into a spread-sheet and then when I am ready to print a hard copy of my list I can prioritize them in the order that I will be shooting.)

I do not know about the rest of you, but I think about the next better shot all the time. My imagination especially runs wild after a shoot and I have just taken some exceptional shots. After I come down from the high of “a job well done”, I catalog the position and settings of the equipment set-up asking “What made the difference?” and every other question “9 ways from Sunday” about how it can be made better.