Portraits – Versus ? Part 2

Stock Photography is a field of scope more broad than portraiture because it does not cause an emotional attachment alone.

Stock (at-least in my opinion) includes styles Commercial, Product, Scenic, Wildlife, Botany, Oceanic, Astronomic, Architectural and Historical opportunities giving objects to be the primary focus in the photo.

Portraiture ought to emphasize the person over their surroundings, even if the photograph is not designed to prominently showcase the subject.

The difference between Stock and Portraiture is in the photograph’s use. For instance, a company selling a consumable product will use a photograph of the product for visual communication is a use of stock but meant to sell a different product than the photograph.

The Stock Photography industry is designed to sell photographs, rather than photographs being used to sell other products.

It is important to consider the purpose of the photograph whether displaying it in home or sale. Just as a photographer is critiqued for how they captured the subject and displayed the photo’s purpose, so an image out-of-place or incompatible with its surroundings is important to consider when placed.

If a portrait is placed in a photo frame intended to be used as a stock photograph but is an obvious portrait of the subject, it looks out-of-place as it sits on the store shelf. There are aesthetic changes that can be made to the portrait to show the commercial use, but without these changes it would seem that someone had left a framed photo at the store as they shopped for a new picture frame.

The same principle applies to stock photography. If a person or an object is in the photograph distracting from the photographic statement, it is better to change perspectives or wait until the person leaves the frame and not “shoot around them”.

One of the best investments in a shot is time. Do not be afraid to invest!

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Portraits – Candid Scrapbook

How do I use candid shots in a scrapbook?

There are a few things to remember before getting into this process:

  1. Scrapbooking starts with a good photo.
  2. Scrapbooking does not need full face shot (unless  you “the creator of the scrapbook” require it)
  3. Scrapbooking is meant to tell a story (pictorially and in written narrative). It depends on how the story is written about what pictures the creator chooses for the book.

Now this is not to burden you down and squash your creativity; however this is meant speak on the photography side of what to expect in a candid shot and how many photos you may shoot or reject as you choose between the “good” and “great”.

As we have covered in the earlier posts, all photographers will take more shots in a portrait session than they would in a studio of a piece of jewelry. This is to ease the stress on the subject by asking them to hold an uncomfortable place for an indeterminate amount of time.

For instance, the piece of jewelry is not going anywhere and will not lose shape under common conditions. For a model or paying customer, this changes dramatically because even sitting in a relaxed position, their radiant smile, twinkling eyes and squared shoulders can become a dark frown, dull eyes and rounded shoulders.

So as to avoid these issues, I urge you to learn to let the natural motion continue of daily life and capture those moments and times of spontaneous laughter, joy and thought.

Do not be surprised about getting 1 good photo out of 15 or more, because it was the continuous shooting which enabled you get that 1 good shot.

Candid shot is best focused on the persons emotions. That is to say, ask yourself what could take away from the emotion being shown. Next ask yourself what is important to draw out the emotion being shown which is already inside the viewing frame.

Have fun, because that is important! If you are not having fun, your model or person of interest may be keying off of your attitude or intensity. Besides, it is the holiday season, fun is in the air!

Portraits – Multi-purpose

In our recent article of property or photo “props”, I suggested using an umbrella as a diffuser. I would like to explain that thought a little more in-depth for the sake of creativity and fun.

To use an umbrella as a diffuser it is necessary to keep it between your subject and the sun, but that does not mean it is not for you to use without being seen at the same time!

‘ “Woe!” you say?’ Allow me to elaborate.

Pose your subject as if they are walking along a sidewalk and turn back slightly to see what they heard behind them, to find you and your camera trained on them. Catch the edge of the umbrella and framing their face is the part which incorporates the tool to diffuse the light as a prop too. Great idea? I like it!

What about having some fun pretending that it is raining and your subject is dancing in the rain? Have them hold their umbrella up in the air as they look simultaneously into it and the falling rain.

Even still, another possibility is to use the umbrella as a background, letting the sun back-light the umbrella. This can light the edges of the face and hair for a wonderful time exposure. [NOTE: Since your subject is back-lit with the sun diffused by an umbrella, use a longer shutter speed to develop their face and not only the umbrella.]

These are a few ideas with which to start and some I hope will adapt in your own style.

There are many good ways of using your lighting tools as portrait props. Try new things, have fun and tell me about them! I love to hear what you are doing! We all can use a help now and again, even me. I am no one special just because I write a blog.

Enjoy!

Portraits – Property

Little things that might otherwise never be considered in portraits are good to keep accessible. These little things should target a purpose for the photo.

  • Is this a yearly portrait session?
  • Is this special birthday session?
  • Is this a business portrait session?

These three examples are a start on the purposes for portraits but what kind of session do you most often shoot? Which session properties will be the most valuable to your business or in-formal shots?

Property or “props” are added elements which suggest motion, share information and set the mood within the photo. Listed below are some “props” which may help you get your “prop” inventory started.

  • Numbers – Numbers apply to birthday and yearly portrait sessions by signifying the age of the subject or the year the portrait was taken. This is the basic use of numbers in a shot, but what other ways can you bring the number into a portrait?
  • Letters – Most commonly a letter is used to state the first letter of the subject’s last name.
  • Umbrellas – Making a statement to Weather or femininity, umbrellas are incredibly versatile! Umbrellas range in design from large to small, dainty to rugged and sporty to fashion.
  • Bean-bag chairs – Styrofoam pellet stuffed chairs give the ultimately conformable property for the wiggling young child or relaxed appearance for older children and young adults.
  • Large stacking blocks – Boxes made of wood or other solid materials can create fun variations on a set. Making impromptu stairs for your subjects to ascend or a small pattern to partially separate activity in your photo frame.
  • Picture frames – Picture frames can be a visual reminder to the viewer of the portrait’s focus in an artistic way or even offer a pictorial time-line with a photo inside of a previous event. (For instance; during the bridal portrait session the bride could hold her favorite picture of her engagement portrait session.)

These are all suggestions which I hope inspire you to use things I have never thought about. I look forward to hearing your success stories and the “props” you use!