A soft focus leaves nothing in sharp focus keeping your subject partially obscured for the viewer’s imagination to fill-in.
Normally in a photo the focus would be sharpest at the point you want the viewer to look. So obviously total focus is not always desirable. Keep this in mind: the human eye will search out a point on which it can rest. The purpose for resting is not important now but to know this is huge.
A resting point for the human eye is important so keep your focal point in context.
Search for yourself and find some examples to illustrate your findings through research.
I have found that the eye is looking for the point with the most detail and least distraction. This leads me to believe that the point closest to fully focused (if properly achieved) should be a type of funnel apex. While this makes the most sense logically it may not always work out as intended because of the effects of lighting, contrast and other factors.
I was once told there were four steps to building habits that can be applied to such things as finding the right portrait locations and photographic practices. These steps are:
It is “Okay” to make mistakes. It is “Okay” to even repeat mistakes that you do not know are being made. This is giving you the opportunity to consider a possibility in refining your skill and work. This may be your help to see that you are halfway to being a better photographer!
If you choose to make some changes when mistakes are called to your attention and consciously fix or avoid the problem, you have made it to step 3! Keep it up because all that is necessary for step 4 (unconsciously implementing the solution) is consistent good practice!
It is not easy for me to swallow a number on a price tag with numbers that continue 3 or more digits and then appears a decimal, especially when I consider that amount as coming from my wallet. However, this is not considering the purpose for the product purchased.
We considered some questions to ask to help decide the purpose of the shopping trip and each piece of equipment. I also mentioned that I cannot give you any suggestion on “coupons” or price breaks because anyone making this compromise is taking a serious risk that can and most often will be more expensive than the price of the lens.
I write this to urge you to be wise in what you buy, because somethings are not worth “going cheap”. If your photographs are worth good money, then be willing to pay good money for your equipment. I have read many articles on what is most important for creating good photographs. Some have a good understanding of the process and others do well at articulating what they do not understand. I want to both understand and be able to articulate it so that you can learn from my mistakes.
Good photography is not about 1 piece being more or less significant. It is about all the pieces working well together. In any team sport, the team must work together to carry out their goal. Thus it is the same in photography. Photography is my sport and my team consists of me, the camera body and the lens. Also in this team sport the team that will win must use the actions of the opposing team to their advantage. This “opposing team” in my sport of photography is a light source, object and shadow (meaning contrast).
I win the game when my team works together without error, using the light, the object and the shadow to tell the story I see.
How will you choose your team? Will you choose the team that “gets by” or the proper team for the win?