Portraits – B&W

Black and White portraits are often the most intriguing. This however will make greater demands on composition.

Black and White photos have greater potential for contrast and with this potential, the composition can in monochrome print allow the viewer to see the colors and hues which they fancy. Several photographers I know have black and white photos I have seen and when some time later we talked about them, I described them in color. They looked at me confused and verified that we were talking about the same photo by discussing the features of the photo’s subject and elements. Seeing a black and white photo in color is not a gauge on whether the photo is properly composed, but something which viewers may experience where exposure and composition are well done.

One of my favorite fall shots is from above the subject as they are seated on a thick grassy lawn, looking up toward the camera which uses the grass and fall colored leaves as a background!

However, since we are on the topic of black and white photos, how can we capture this same stunning color composition in black and white?

First, it is important to have the best clarity possible and this is achieved with a high-end lens. If you are using a consumer level camera which cannot alternate lenses, do not worry, it should do well for you.

Second, work diligently to make sure the focus is absolutely set on the eyes. If there is one thing that must be in total focus it must be the eyes.

Third, some editing may be done to a black and white photo to add color. \"Bird-Owl This photo illustration is a perfect example; digitally signed by Chris D. Jones, this photo draws from the contrast of the black and white giving definition to the feathers, the clarity is displayed in the eye and draws your attention with the iris color.

Enjoy!

Getting The Most Out Of Your Camera

Have you ever found yourself in a situation and wishing you had a hot shoe flash with you? Well being the biggest “anti-flash fan” you know of (I’m just kidding! I’m not “anti-flash”. My concern and talking point is a caution against built-in flashes.) I have some things for you to look into if you are interested in getting just a little bit more out of your camera’s performance.

Having used my equipment in a lot of situations with varied amounts of lighting, I became very dissatisfied with blurry photos. So, in an effort to understand more about the performance of my camera and lenses, I began searching for methods of shooting without a flash and blur.

As I began my search I discovered that when shooting black & white (monochrome) pictures, my camera was more sensitive in lower lighted areas giving me the capability to shoot with a faster shutter speed.

At the same time, I did not want to only shooting black & white (monochrome) photos in low light, so how can I get around this problem? Some cameras come with editing software. Canon provides “Canon Utilities Software” with their SLR cameras, so there may be comparable software with other camera brands. In “Canon Utilities Software” post-exposure changes are possible by reading the EXIF data from the photo and altering the information in a new file temporarily stored in a separate data file.

However, before I prattle too far afield of my given topic, my point of shooting black & white (monochrome) photos to avoid needing to add light; the picture style can be changed in the editing process of “Canon Utilities Software”. What this mean is black & white (monochrome) shots can be change into color shots!

The camera takes the information of colors with each black & white (monochrome) shot, however not as it would when shooting in color. Do not be surprised when changing picture styles that the color is not as vibrant as when shooting in other pictures styles.

More on picture styles and black & white shooting in Part 2.

Color Obsession

I take so many things for granted. Then when is lost something I frequently use, I pretend to myself that everything has ended!

I believe that creativity comes from looking at our surroundings with a different view while still maintaining those tangible means to define the different perspective.

Take for instance, vision or sight; “the ability to see.” What would change had I not the ability to distinguish color because of monochrome sight? Photographers call this a style of art, formed in “Black and White”.

Perhaps you have previously seen “Black and White” images, never noticing before that they were “colorless”. I continue to be amazed how our brains will add color to something with which we are familiar when there is not any such information being given by our eyes!

This actually is another option in our discussion of “creativity¬†rejuvenation”.

There are a great number of things that are typically one color. For instance in the United Kingdom police cars are, in majority, colored with blue and yellow squares. Fire engines in the United States of America are almost always red. Quite often universally, taxi cabs are yellow.

Shoot your favorite color until your creativity is once again filled and be amazed at what you find in the process!