Reflections – Part 2

As you attempt to stay out of the reflections in your photographs, it is important to wear colors that will blend with your surroundings as I mentioned about shooting the Christmas ornaments in the window of Neiman Marcus.

For instance, I wore a red shirt one day and in image review I saw a brilliant red reflection in the product! Your face may be well hidden but be careful to also hide bright colors.

While this is a negative for color in reflection, this brings up something I often say with the phrase “Think outside the box”. If a bright-colored shirt appears in reflections, why not learn the effects of using black, white and gray cards?

Gold objects will brighten when reflecting light colors like white and pick-up richer tones when reflecting black. Your purpose will dictate which color fill card should be used, so outlining colors to products will put you back into a box more than helping you out of one.

As the reflective object is exchanged with another of a different color tone, the fill card color may also change. Keep your purpose in mind and use the proper color of fill card.

Engraved surfaces have better contrast reflecting one color over another, and while I have my opinion of which color it is, another viewer may see the engraving better with another. If I see the engraving plainly in both reflected colors, I will defer to the other viewer, however this gives reason to pursue other options for better visibility for all viewers.

For creative shooting, perhaps you want bright and unusual colors! Just because colors outside the grayscale are not used in product photography does not mean it is “taboo” or even unacceptable in your form of art, thus your purpose being my qualifying phrase.

Enjoy!

Portraits – Versus ? Part 2

Stock Photography is a field of scope more broad than portraiture because it does not cause an emotional attachment alone.

Stock (at-least in my opinion) includes styles Commercial, Product, Scenic, Wildlife, Botany, Oceanic, Astronomic, Architectural and Historical opportunities giving objects to be the primary focus in the photo.

Portraiture ought to emphasize the person over their surroundings, even if the photograph is not designed to prominently showcase the subject.

The difference between Stock and Portraiture is in the photograph’s use. For instance, a company selling a consumable product will use a photograph of the product for visual communication is a use of stock but meant to sell a different product than the photograph.

The Stock Photography industry is designed to sell photographs, rather than photographs being used to sell other products.

It is important to consider the purpose of the photograph whether displaying it in home or sale. Just as a photographer is critiqued for how they captured the subject and displayed the photo’s purpose, so an image out-of-place or incompatible with its surroundings is important to consider when placed.

If a portrait is placed in a photo frame intended to be used as a stock photograph but is an obvious portrait of the subject, it looks out-of-place as it sits on the store shelf. There are aesthetic changes that can be made to the portrait to show the commercial use, but without these changes it would seem that someone had left a framed photo at the store as they shopped for a new picture frame.

The same principle applies to stock photography. If a person or an object is in the photograph distracting from the photographic statement, it is better to change perspectives or wait until the person leaves the frame and not “shoot around them”.

One of the best investments in a shot is time. Do not be afraid to invest!

Portraits – Property

Little things that might otherwise never be considered in portraits are good to keep accessible. These little things should target a purpose for the photo.

• Is this a yearly portrait session?
• Is this special birthday session?
• Is this a business portrait session?

These three examples are a start on the purposes for portraits but what kind of session do you most often shoot? Which session properties will be the most valuable to your business or in-formal shots?

Property or “props” are added elements which suggest motion, share information and set the mood within the photo. Listed below are some “props” which may help you get your “prop” inventory started.

• Numbers – Numbers apply to birthday and yearly portrait sessions by signifying the age of the subject or the year the portrait was taken. This is the basic use of numbers in a shot, but what other ways can you bring the number into a portrait?
• Letters – Most commonly a letter is used to state the first letter of the subject’s last name.
• Umbrellas – Making a statement to Weather or femininity, umbrellas are incredibly versatile! Umbrellas range in design from large to small, dainty to rugged and sporty to fashion.
• Bean-bag chairs – Styrofoam pellet stuffed chairs give the ultimately conformable property for the wiggling young child or relaxed appearance for older children and young adults.
• Large stacking blocks – Boxes made of wood or other solid materials can create fun variations on a set. Making impromptu stairs for your subjects to ascend or a small pattern to partially separate activity in your photo frame.
• Picture frames – Picture frames can be a visual reminder to the viewer of the portrait’s focus in an artistic way or even offer a pictorial time-line with a photo inside of a previous event. (For instance; during the bridal portrait session the bride could hold her favorite picture of her engagement portrait session.)

These are all suggestions which I hope inspire you to use things I have never thought about. I look forward to hearing your success stories and the “props” you use!

Back Lighting – Part 5

Since this Back Lighting series started from Jewelry, I figure it only fitting to finish this series with some details of jewelry photography.

These are a few things I have picked up in experience, some of which would have been ever so valuable when I started out! Listed below are a few items and some information about them as to why they are helpful.

Light Stands: They say you never know what you are missing until you do not have it. Well, that is one way of looking at all situations. Me? I prefer to think of what I have as tools which will afford me new learning opportunities. Without throwing a pity-party, I understand that my learning opportunities could expand with more and new equipment, but one of things I do to keep myself financially responsible is checking myself to see that I am “unconsciously competent” with my current line of equipment. Light Stands are very helpful when you want to move lighting versus your subject.

Seamless Background: When shooting in-studio, Seamless Backgrounds are one of the accessories that give the viewer the visual relief that white space without giving the hints of spacial limitation. For some reason wall seams or the corner of the wall and floor took away my pleasure of imagining this one little ring on a table top in the expanses of a large room.

Macro Lens: Macro Lenses are designed with a closer focal range giving the photographer the ability to get closer-in without losing the sharp focus they live on. I cannot say that I have met anyone who did not like to look as closely as they could at the gems in a piece of jewelry they were looking to purchase. Since retail stores know that purchases will rise if the customer can see the product, the store managers will pay photographers very well for being able to capture the sharpest most accurate picture of the product they sell.

Jewelry Wax: For those pieces of jewelry that simply will not stand on their own without some help. I have read many photographers who insist on not paying more than absolutely necessary for wax used in jewelry shots, so they substitute dental wax. Personally, I am careful what I substitute for a product designed for a purpose. Waxes take many forms. Jewelry Wax is designed to be “sticky” without leaving residue or wax on the jewelry. I have not yet been able to test any other wax on my jewelry sets to determine if residue truly will be a problem. I am sure I will post about it at some point, after the testing is complete. *Grin*

God bless!

Inspiration – Part 2

“…Sing, you islands of the sea; echo back, you ocean caves…”

I have been told that I have a fertile imagination. No, I do not care to explain why. This phrase though communicates to me a beautiful image of crystal blue water, fine sand beaches and islands with caves all around begging for adventurers to explore their expanses! Is this not the dream picture we all have of a perfect “Island get-away” that we secretly wish would come true?

There is something more to this phrase and I will give it to you in two parts.

Part 1: We have described the islands, caves and sea but completely ignored the action to which they are called. “Sing!” “SING!” Who does not enjoy a beautiful voice that dares you to go back to your worries and anxiety? If anyone said “I do not” out-loud, I can refer you to some fine Nouthetic counselors.

Part 2: The purpose of their call to singing. Remember in “History Immortalized” I challenged us all to intentional, proper and encouraging photography. These Islands of the sea and ocean caves are singing and echoing the praises to a merciful God who gave his only son (Jesus), conceived of His seed, to pay a debt for my wrong actions, immoral thoughts and offensive words. God did this not for me alone, but for you too. This was not forced on Jesus either, in fact Jesus (the same Jesus that the hymn says “Jesus Saves”) said of his life “No man taketh it from me, but I lay it down of myself.” (See: The gospel according to John chapter 10:18a)

The sea, oceans or any large body of water ought always to be treated with care and caution. Just because of the power it has by virtue of the laws of physics does not require us to stay away from it at all times, but rather calls us to exercise wisdom and good sense when enjoying the pleasure of water. I think this caps off what we desire in these grand fantasies including islands, seas and caves a well-defined boundary that can both protect us, but reminds us to mind well our strengths and look for help in our weakness.

Oh! By the way, Jesus did die, but he is the only man to come back to life never to die again. He was witnessed by over 500 people, talking with them, eating in front of them and some touched him. Get a copy of “The Gospel according to John” or find it in a Bible sometime, read it. It is true.

Camera Troubles – Part 3

The Correlation Of Physical Human Vision And Photography Camera truly makes a lot of sense when the purpose of each part is clearly explained!

As we have studied in the last two blog posts (Camera Troubles & Camera Troubles – Part 2) the camera Lens is comparable to our Cornea, Iris and Pupil. The Lens glass is designed to focus and adjust for telephoto. The camera Lens is comprised of at-least two pieces of glass (I say “at-least” because there are “Prime Focal Lenses” and “Variable Distance Lenses” which we call “Zoom lenses”.), the first being the lens we can see and should refrain from touching; the second being capable of moving microscopic distances for the purpose of focusing.

Perhaps this is a bit more theory than anyone would choose to know. Although I would not be writing this series of posts if I did not believe this information would benefit you as you daily take joy in photographing your life and the wonderful moments with your loved ones.

In side the camera Lens is the Diaphragm adjusted in stops which we photographers call “f/stop” or “Aperture”. The solid and flat construction of the Diaphragm is a little hard to explain, but let me tell you about its purpose; it is designed to adjust the opening in small amounts to regulate the saturation of light to reach the Sensor. This is the same purpose that our Iris serves by regulating the size of our Pupil and allowing just the right amount of light to pass onto our Retina.

The camera’s Sensor is a sensitive piece of equipment because it is made to be able to see things in relatively low lit situations. In fact I would say that the Sensor is the most delicate pieces of a camera when subjected to light. If anyone remembers the days of film photography, the Sensor in our digital cameras are the modern replacement of film. Do you remember looking for the right “film speed” and handling one film set after another? Oh the questions I had; and the answers I received were such an education! The camera Sensor and its inspiration our Retina (even the original film) are designed to be sensitive to light, leaving temporary impressions to be received into our memory.

There is a notable difference between our Eye and a camera’s Sensor system. The difference is this, Our Eye sees things in continuous motion and high rates of speed (something along the lines of video), whereas the camera is designed to see things as individual momentary pieces of halted time.

This is a lot of fun to discover new things about our camera! There is more to discover about the camera and some specifics as to how we can get the best out of them. Stay focused; we will capture some more details later this week!